Blog

Will Stedelijk Museum Keep Its Maleviches?

Is Amsterdam’s Stedelijk Museum in danger of losing its important collection of 14 Malevich paintings? “The heirs of the Russian avant-garde artist, who have successfully claimed works from the Museum of Modern Art in New York and the Busch-Reisinger Museum of Harvard University, are now in pursuit of a significant part of the largest collection of Malevich’s works in the West. They say that the Stedelijk bought the works from someone who didn’t own them and had no right to sell them.”

West End – Where Did The Plays Go?

These days in London’s West End, musicals outnumber straight plays. Where did the plays go? “It’s not that the audience for drama has necessarily declined – just that people now have plenty of other places to see it. In 1954, you went to see a play in the West End or stayed at home. Now, subsidised venues such as the National, the Barbican, the refurbished Royal Court, the Donmar, the Almeida, and Hampstead, as well as the vast number of fringe theatres in pubs and other found locations soak up many of the play-going audience.”

Giving Ground – Arts Philanthropy In Canada

A new portrait of philanthropic giving to the arts in Canada points to some big challenges. “Less than 2% of the population make financial donations to the arts sector. The average donor is described as being over 45 (57% of donors), university-educated (38%), and with a household income exceeding $50,000 (71%). Nonetheless, while the value of donations is increasing – 22% from 1997 to 2000 – the number of donors has actually decreased, a worrying trend for the future.”

In Search Of The Digital Actor

Increasingly, movie studios are using digital actors in movies. “The creation of a computer-generated digital person has been the Holy Grail of the digital effects industry. Digital Domain generated attention in this area as far back as 1997, when it populated the decks of the Titanic with digital passengers in its Academy Award-winning epic “Titanic.” More recently, Digital Domain and other effects houses have increasingly used digital characters for certain applications, including stunts where having an actor perform would be dangerous or simply impossible.”