Sebastian Smee: “What the sale of Koons’s “Rabbit” — an auction record for a living artist — is telling us with special force is that the question of valuation is not just about rationality or irrationality. It is, on a deeper level, redundant. It’s redundant because we are in a realm divorced from reality. Intentionally so.” – Washington Post
Blog
What Public TV And Radio Learned About Members And How They Support Public Media
“The age of 58 — and whether a member is older or younger — is the generational divide between donors who want more on-demand programs and those who are less likely to know that those programs are even available. It also correlates to how much members are willing to pay and what would inspire them to pay more.” – Current
What Happens When Site-Specific Art Can’t Be Site-Specific Any More?
“This purist notion of artwork inviolably tied to its context, once a subversive strike against tradition and the marketplace, seems almost quaint now, as artists, dealers, museums and patrons interpret “site-specificity” in ever more elastic ways. The phrase itself has been co-opted as marketing speak in recent years: “site-specific” might even steal the crown from “curated,” the reigning art-world term applied to everything from playlists to pop-up shops.” – New York Times Magazine
Belgium’s Royal Museum Says It Wants To Confront The Country’s Colonial Africa Past. There’s Just One Problem…
“I went there a month later, and spent two days trying to access its famed music archives, and mostly just looking around. And at the risk of spoiling any big, revelatory climax, I’ll just tell you: there’s basically nothing in the museum that honestly confronts what went on in Central Africa.” – The Outline
A New Tool Links The Arts To Measurable Social Impacts
Americans for the Arts CEO Robert Lynch says that his organization’s Arts + Social Impact Explorer “consolidates and highlights concrete ways in which the arts intersect with and have an impact on other sectors of society … [how, for example, the arts] help people with cancer cope with stress through painting, assist people with Parkinson’s increase their vocal strength through singing, and support patients undergoing treatment or unable to leave their beds with live, in-room performances.” – Inside Philanthropy
Musician Crowdfunding Site Heads To Bankruptcy And Musicians Scramble To Recover
The UK-Based PledgeMusic owes hundreds of thousands of dollars to artists and labels, many of them independents operating on small margins. An untold number of fans have also been shortchanged, because the projects they invested in remain unfinished, or caught in limbo. “There have been no good outcomes here,” Benji Rogers, a co-founder and former CEO of PledgeMusic, wrote last week in an open letter, “and I cannot bear that something that I created to benefit artists and fans has caused so much pain to so many people.” – NPR
Why ‘Game Of Thrones’ Has Been Good For British Theatre
It’s the same reason that Law and Order is good for New York theater, only more so — GoT has arguably pulled some new audiences to see, for example, some Christopher Marlowe and Sam Shepard. – The Stage
Your Kid’s Smart. Brilliant Even. Chances Are (S)he’s Going To Fail Big Time. Here’s How It Happens
There are those whose abilities are missed by the limitations of IQ tests. And there are the many exceptional children who face barriers in later years because they never developed the interpersonal skills needed to succeed in the workplace or the wider world of social activity. – 1834 Magazine
Cincinnati Ballet Runs Classes For Children With Range Of (Dis)Abilities
“Ballet Moves began in 2014 when the father of a young girl with Down syndrome asked if any of the classes suited her needs. The answer was no. But Julie Sunderland, who trained with Boston Ballet’s adaptive dance program before coming to the Cincinnati Ballet 11 years ago, said she would start one. … Two years later, the class expanded to children with other disabilities after Sunderland saw a Facebook post about a man with cerebral palsy who used dance to create new neurological pathways and help him walk. And now there are a few classes, for boys and girls, ages 4 to 14.” – Cincinnati Enquirer
Art-Washing: Museums Face The Taint Of Donor Money
“Gifts that are not in the public interest.” It is a pregnant, important phrase. Coming on the heels of similar decisions by the Tate Modern in London and the Solomon R. Guggenheim Museum in New York, the spurning of Oxy-cash seems to reflect a growing awareness that gifts to the arts and other good causes are not only a way for ultra-wealthy people to scrub their consciences and reputations. Philanthropy can also be central to purchasing the immunity needed to profiteer at the expense of the common welfare. – The New York Times