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Ottawa Orchestra Says Missing Zukerman Will Return

Ottawa’s National Arts Centre Orchestra announced its next season Monday, saying that wayward music director Pinchas Zukerman will return to lead the orchestra. Zukerman mysteriously bolted from the orchestra part way through this season, claiming need for a break. Orchestra manager Christopher Deacon said the NAC is working on a suggestion by Zukerman to bring in a facilitator to ‘improve communication and better the working atmosphere’.”

Canadian Artists Worry About Promised Funding Increases

The Canadian arts community is pleased by the selection of Bev Oda as the new culture minister. But “some suggest that the concern isn’t about Oda, but the new drive to make the path of money through federal agencies more transparent and accountable. The worry is that this could slow down promised funding increases, particularly the past Liberal government’s pre-election promise in November to double the budget of the Canada Council for the Arts, the umbrella arts funding agency, in three years to $301-million.”

The Man Buying Up London’s Art

A low-key collector is making waves in London, buying up entire shows of work before they even hit galleries. “A genial Rory Bremner look-alike with a facility for imitating accents, David Roberts doesn’t flaunt his wealth. But he is rapidly becoming one of the most sought-after clients by contemporary-art galleries in the UK.”

Let’s Stop Making Books That Don’t Need To Be Books

Where do books fit in to the modern culture? “Nobody, not even academics, who are hardier than most, want books in any other form than books. At the same time, we acknowledge that books have become as throwaway as everything else in our culture, so what do we do? First, we stop publishing books that needn’t be books. People who don’t really read don’t really need books — so let them have Jordan and Becks in lots of other ways. Audio, animated-audio, that is, audio with pictures — is just about right for most celebrity publications.”

A Grand Unifying Theory Of Music History

Historian Richard Taruskin has grand ambitions for his 4000+ page history of music. “He maintains that this is the first history of music which not only relates what was done but how and why. He aims, he writes, to present a social history of music; that is, he attempts to place the development of music in the general culture of the place and time it was created, to describe it in its social setting, to explain its genesis and its significance for the composers’ contemporaries and at times for their posterity.”