Historian Richard Taruskin has grand ambitions for his 4000+ page history of music. “He maintains that this is the first history of music which not only relates what was done but how and why. He aims, he writes, to present a social history of music; that is, he attempts to place the development of music in the general culture of the place and time it was created, to describe it in its social setting, to explain its genesis and its significance for the composers’ contemporaries and at times for their posterity.”