English As A Language Is Super Weird, And We Just Need To Accept That

“Even in its spoken form, English is weird. It’s weird in ways that are easy to miss, especially since Anglophones in the United States and Britain are not exactly rabid to learn other languages. But our monolingual tendency leaves us like the proverbial fish not knowing that it is wet. Our language feels ‘normal’ only until you get a sense of what normal really is.”

The Guy Who Ran McSweeney’s Wants To Re-Teach Us How To Read, Using An App

“This might all sound very precious, or very insufferable. But Horowitz is used to people feeling that way: It’s the same sort of criticism that’s long been levied at McSweeney’s, the indie publishing organization that Horowitz ran for the better part of a decade. The cabins expand upon the aggressively twee style that made McSweeney’s publications into bookshelf fixtures in Brooklyn studios and dorm rooms across the land, but the work Horowitz does in those cabins is anything but stale.”

Can Architecture Help Heal The Rift Between Police And African American Communities?

“The police station Gang envisions would be more like a town center than a fortress. A gym, open to the public as well as the police, would rise across the street. Cops, teachers and firefighters would live in nearby housing. Some of the parking lots around the station would be transformed into parks. The idea is to have police rub shoulders with residents, building bonds of trust.”

How The Artistic Director Of The Toronto International Film Festival Moved Toward Art

“The art world at that time, for better or worse, was full of these people who had these long treatises on their work. I think the art world has changed a little bit since then – there’s been a return to more direct practice and less thinking through the art before you make the art. But when I was coming up, it was all about the ideas, and the ideas I was familiar with were from literature and film.”

Twyla Tharp, Vampire

“Yes, I’m Dracula, they’re the soil and the dance is the coffin. … In a way it’s not a bad analogy because what I do is, you know — can I dance? Sort of. Am I in condition to do much of anything right now? Absolutely not. I don’t obviously have the instrument now to evolve really demanding physical movement. For that I need — hello — younger bodies.”