Is Great Britain Too Depressed For Museums Now?

Financial constraints, educational culture budgets slashed, and people staying away from the money-suck that is London – “the same economic pressures that have uprooted politics around the world are destroying the aspirations we express when we go to galleries. There is nothing more aspirational than visiting a museum or art gallery. It is an expression of hope.”

Next Steps For Middle Eastern Theatre In The U.S.

Though its practitioners say this isn’t a new discussion, the contours of Middle Eastern theatre have taken on sharper focus after the election of Donald Trump. But it’s also very like other theatre for practitioners from communities of color: “The next round is equal parts main stage productions … and expanding to directors and designers of Middle Eastern descent. That would be radical.”

MoMA Joins The Resistance, Hangs Art From ‘Travel Ban’ Countries

Damn, MoMA: “Alongside each painting, sculpture, or photograph is a text that makes no bones about why it has suddenly surfaced: ‘This work is by an artist from a nation whose citizens are being denied entry into the United States, according to a presidential executive order issued on January 27, 2017. This is one of several such artworks from the Museum’s collection installed throughout the fifth-floor galleries to affirm the ideals of welcome and freedom as vital to this Museum, as they are to the United States.'”

Living On The 81st Floor Is A Little Bit Noisy (Plus, The Building Sways)

With new technology, humans are building taller and taller residential – and luxury – skyscrapers. But “the payoff for peace and endless views can be five-minute waits for the lift at rush hour – and even sunburn. ‘You could get tanned in winter if you sat right by the window: there’s a bit of a greenhouse effect,’ the owner of a 64th-floor apartment above Chicago tells me. Vertigo can be another danger.”

Marta Becket, Dancer Who Built An Opera And Ballet Theatre In Death Valley, Dead At 92

Wow: “It was there, amid the alkali flats, whistling winds and triple-digit heat of the Mojave Desert, that Ms. Becket and her husband resettled and built the Amargosa Opera House, where she performed her ballets and pantomimes for the next 40 years. Ms. Becket turned the Amargosa into a cultural institution in a desolate area, an attraction to tourists, ranchers, farmers and even prostitutes from a local bordello.”