The World Has Gotten Exponentially Scarier, So Take Refuge In Abstract Art

It’s simply a relief: “Freed from the world, all you sense is your body moving through water and all you hear is the sound of your pulse inside your head. Contemplating abstract sculpture, you enter a relationship bereft of language, of story and of illustration; you have to simply measure yourself against the object and admire its intrusion.”

How Many Trump Neologisms Can The OED Fit Into Its Newest Edition?

If nothing else, Brexit and Trump are endless sources of new words: “Trumponomics (the president’s economic policy), trumpertantrum (angry early-morning tweeting laced with innuendo and falsehood) and trumpkin (a pumpkin carved to resemble the former TV host) are among neologisms added to a watchlist of words that may be fast-tracked into the Oxford English Dictionary. “

Clarinettist On Tour With Yo-Yo Ma Has No Idea If He Will Be Allowed Back Into The United States

Kinan Azmeh, a Syrian clarinettist who has lived in the US legally for 16 years and acquired a green card three years ago, flew to China three weeks ago to tour with Yo-Yo Ma. “I have my apartment. You know, 16 years is not a short time, you accumulate lots of stuff. … But what is not replaceable is all the friends who are incredibly supportive.”

Princess Di Deserves Better Than A Tacky Bronze Statue

The Guardian’s art critic isn’t mincing words. “For William and Harry to announce they are going to commission a public statue is a smack in the face for any idea that modern British art is democratic and egalitarian. The royals are weighing in on art, and their commission – with what is ultimately our money – looks as if it will be an unmediated expression of their personal taste. Clearly, their choice of art will be influential and powerful. It could also be stupid.”

Making Baghdad’s Walls Beautiful Again

Image of Hope came about because of this: “Baghdad became increasingly divided into neighbourhoods, separated by brick walls. The once lively and energetic city started to lose its character and atmosphere. The walls did not only serve security purposes, but political and armed groups also used them as canvasses for sectarian slogans and political propaganda.”

In A Time Of Nativism, A Challenge For The International Art World

Or not? “‘Art is a transcontinental commodity,’ said William Weston, a specialist dealer in modern prints. … ‘Nationalism won’t harm its trading position. It won’t affect the market in New York or London. Americans won’t stop buying David Hockney because he’s a British artist.'”