IKEA Puts On Opera In London Store

“The show, titled Flatpack, offers answers to questions such as ‘Why is my bookcase called Billy?’ ‘What is domestic harmony?’ and ‘What do our homes have to say about us?’ … Four classical singers, a cellist, a pianist, an accordionist and four percussionists, plus a cast of actors and dancers – many dressed in traditional Ikea yellow and blue  – are performing the opera in front of an unsuspecting audience for four nights only.”

NY City Ballet Tries “Video Notes’

“In addition to its own notes in daily programs, today’s NYCB provides video footage on screens in the lobby and outside the auditorium of the David H. Koch Theater, as well as on its Website (nycballet.com; see ‘The Viewing Room’). … [These loops] present clips of dancers and choreographers addressing the unheard questions of unseen interviewers about their work with NYCB.”

The Remains Of The Day To Become A Musical

Says Kazuo Ishiguro, author of the original novel, “Steven Sondheim’s A Little Night Music shows you can set an unlikely story to music. … This is a small scale thing and I might feel more cautious about it if the film version hadn’t been such serious, faithful adaptation.  … There is comedy in the book and a musical could bring that out more.”

How Is This Tutu Different From All Other Tutus? It’s A Custom-Made Chanel

“The torso is entirely covered with feathers: slender ostrich plumes reaching upwards to tickle the neck, while downy turkey, hen and cock feathers are layered at the waist in a muted mix of pale pink, pale grey and white.” In honor of the Ballets Russes centennial, Karl Lagerfeld, creative director at the House of Chanel, has designed a special costume for Fokine’s The Dying Swan.

Inaugural Philly Arts Festival To Be An April In Paris (With Igor)

“Already funded with a $10 million grant from the Annenberg Foundation, the initial festival is scheduled to run April 7 to May 1, 2011, centered on early-20th-century Parisian artistic life. [New executive director J. Edward] Cambron referred to the programming theme as ‘Stravinsky in Paris’ – this was a period when the composer wrote his great ballet scores – though a variety of figures from that period will be examined, as well as some of their 21st-century counterparts.”