The song topped Spotify’s Global Top 50 chart and rose to number one on the iTunes charts in over 100 countries. It also set a YouTube record for the most views in 24 hours. BTS’s success, particularly on the Billboard Hot 100 recently, highlights the need to re-examine how we define pop music within the global music industry. – The Conversation
Author: Douglas McLennan
Comic-Con Went Virtual This Year. Critics Said It Flopped. Fans Weren’t So Condemning
Comic-Con@Home inevitably drew comparisons to the in-real-life event, but some critics promptly branded it a failure — perhaps most prominently in Variety, the entertainment industry trade magazine. But calling Comic-Con@Home a flop for not having enough exclusive movie reveals or failing to produce enough social media buzz assumes too much. – The Conversation
When Our Big Problems Are So Obvious, Who Needs Critiques?
In the midst of present dangers—environmental, humanitarian, and political crises, and now (since the book’s publication) pandemic and economic disaster, and the onset of a sweeping antiracist movement—critique can seem to be a luxury.1 Problems like these can appear so obvious as to require little further reflection. They give contemporary life to Marx’s exhortation not to interpret the world but to change it. What, then, is the purpose of critique in a moment like this? – Public Books
Time To Dismantle The Meritocracy?
“This is a moment to begin a debate about the dignity of work; about the rewards of work both in terms of pay but also in terms of esteem. We now realise how deeply dependent we are, not just on doctors and nurses, but delivery workers, grocery store clerks, warehouse workers, lorry drivers, home healthcare providers and childcare workers, many of them in the gig economy. We call them key workers and yet these are oftentimes not the best paid or the most honoured workers.” – The Guardian
The Artist Trap: How Do You Get Paid In The Digital Age?
There’s still plenty of money to be made in art, or writing, or music. It’s just not being made by the creators. Increasingly, their quest for personal artistic fulfillment is part of someone else’s racket. – The New Yorker
TikTok Holocaust Meme Demonstrates Need For Ethical Remembrance
The TikTok Holocaust trend saw users – for the most part, teenagers – uploading videos of themselves pretending to be Holocaust victims entering heaven. Many were outraged, describing the videos as “trauma porn” or even antisemitic. In contrast, creators stressed their intentions to educate or spread awareness. – The Conversation
Jazz Musicians Perform “Bad Jazz” To Drown Out Hate Speech Monger
A Danish collective of jazz musicians have perfected their far-right counter-protest strategy. “Free Jazz Against Paludan” follows the far-right politician Rasmus Paludan around the country and plays jazz very loudly and very badly at his events, in a bid to drown out his voice. – Vice
That Trump Trip To Paris To Commemorate WWII? (Or Not) He Also Went Art Shopping
Trump fancied several of the pieces in the U.S. ambassador’s historic residence in Paris, where he was staying, and on a whim had them removed and loaded onto Air Force One, according to people familiar with the matter. The works — a portrait, a bust, and a set of silver figurines — were brought back to the White House. – Bloomberg
France’s Culture Of Complaint (Just For The Fun Of It)
In France, there are several words for “to complain”: there’s “se plaindre”, used for regular old complaining; there’s “porter plainte”, for complaining more officially. And then there’s “râler”: complaining just for the fun of it. – BBC
Violinist Suing Former Shanghai Quartet Colleagues Over Dismissal
In March of this year, Yi-Wen Jiang posted a comment on the Chinese social media platform WeChat in response to a post by San Francisco Symphony associate principal viola Yun Jie Liu. Jiang’s comment, which went viral, was denounced by some Chinese media outlets as ’racist’ and led to a parting of the ways between Jiang and his fellow Shanghai Quartet members. – The Strad