Our Consumption Of Music Is Largely Virtual Right Now. Is This A Threat?

“Are these experiences an authentic way of experiencing live music? Or do they indicate a transition towards a dystopian cultural milieu? In this scenario, we might end up losing sight of the multi-sensory and collective aspects of live music and experience it instead alone at home through a VR headset or a similar technological device.” – The Conversation

Uncertainty Can Be A Good Thing

The examined human life reflects, we suggest, a new kind of relationship with our own expectations and uncertainty. Yet it is one that we have somehow constructed within the inviolable bounds of a biologically bedrock drive to minimise long-term prediction error. How is this neat trick possible? – Aeon

Ford Foundation: Record $160 Million Lifeline For The Arts

The Ford Foundation this week is announcing an unprecedented $160 million-and-growing initiative called America’s Cultural Treasures, with substantial grants going to BIPOC (Black, Indigenous and people of color) organizations across the country. The grants are, in most cases, the largest ever for the 20 recipients in the first round. – Washington Post

This Fall’s University Enrollments Are Down

Although the enrollment declines were steepest at community colleges (-7.5 percent), undergraduate enrollment fell at all types of colleges, including private nonprofit four-year colleges (-3.8 percent) and private for-profit four-year colleges (-1.9 percent). The decline was more modest at public four-year colleges (-0.4 percent), although there were differences across public four-year institutions according to location, with rural institutions seeing the biggest decline (-4 percent) and urban institutions seeing slight gains (+0.5 percent). – Inside Higher Ed

Christgau: Remembering The Volatile Stanley Crouch

“Crouch was a fervent American who was an even more fervent African American. He loved to perturb all comers by arguing that in the end the Middle Passage was good for Africans, but nowhere near as much as he loved to praise the richness and diversity of the Black cultures that the horrors of slavery made possible. For him, the peak of these cultures was jazz — from Armstrong to bebop, please, post-’60s not so much.” – Los Angeles Times