Remembering The Complicated Life Of Stanley Crouch

Many jazz critics avoid hanging out with musicians, usually because they’re afraid of jeopardizing their objectivity. Stanley was different. Not only did he think that spending time with musicians was crucial to understanding their work, he loved being around them. His appetite for the jazz life—for life, generally—seemed to know no limits. Some musicians thought he was full of shit, but even those who did mostly liked him. – New York Review of Books

The Students Left Behind By Virtual Learning

Society’s attention to them has always been spotty, but they had at least been visible—one saw them on the way to school, in their blue or burgundy uniforms, or in the park and the playground afterward. Now they were behind closed doors, and so were we, with full license to turn inward. While we dutifully stayed home to flatten the curve, children like Shemar were invisible. – The New Yorker

Reality Is Always Right. The Problem Is How We Perceive It

Regardless of how you view it, one thing is certain. We have an insatiable desire to fit reality within the limits of our understanding. If we don’t comprehend something, we strive to make it comprehensible. “I don’t know” is a less acceptable answer than “I will figure it out.” It’s unclear whether this attitude is culturally mediated, or if it is drilled deep into our genetic code. – Human Parts

Survey: Audiences Are Willing To Pay For Online Performances

Frequent arts attendees’ online engagement with culture has boomed during the lockdown, more than doubling to 59% by July, according to analysis of Indigo’s After The Interval sentiment tracker survey. Altogether, 82% of the 130,00 respondents said they would consider engaging with online events in the future – and 70% were willing to pay to do so. – Arts Professional

How Social Media Became The Tool Of Despots

“We live in a single global village with numerous shared problems crying out for collective action, from emergencies like COVID-19 to longer-term existential challenges, such as global climate change and nuclear weapons. What harbinger is it for the future when one of the principal means we have to communicate with one another is so heavily distorted in ways that propel confusion and chaos?” – The Walrus

What It Was Like To Edit RBG

“I was a youngish editor at Random House, overseeing the Modern Library, our classics imprint. The book had come to me because of her. With her letter she enclosed two lectures she had written, one given three years earlier; the other she would deliver during her upcoming travels. “Perhaps a Random House editor could suggest a way to draw from the talks to compose an introduction.” – Paris Review