TicketMaster Sued In California For Abetting Scalping

The suit’s plaintiff is listed as one Allen Lee, but the class potentially includes, “All end-user purchasers in the United States who purchased a secondary market Ticketmaster ticket from a professional reseller participating in Ticketmaster’s resale partner program and/or using TradeDesk or a similar system operated by defendants, such as EventInventory or eimarketplace.”

“Still Here:” Native Americans And The Symphony Orchestra

“One of the biggest messages that we found personally was that we’re trying to tell people that we’re still here because a lot of people still view us as not being real – that Native Americans are made-up or that we’re extinct by now. We really want people to know that we’re not the Indians that they portray us as on TV, and we’re not the Indians that they come to sight-see. We’re actual people. We’re our own sovereign nation, and we’re trying to be a part of modern society if people will let us.”

Fall For Dance Toronto Expands Again

When the original populist model for Fall For Dance was launched by New York City Center in 2004, there were indeed whispered concerns about whether the rock-bottom ticket price might undermine less well-funded presenters by engendering false expectations. The whispers soon evaporated. Fall For Dance, in both its New York and Toronto iteration, has always been clearly promoted as an event designed to whet an appetite among new, often younger audiences for the full spectrum of dance.

Washington National Opera Renews Zambello Contract

Francesca Zambello will remain artistic director of the Washington National Opera. On Friday, the company made a long-expected announcement that the director’s contract has been renewed, for three more years, through the 2020-2021 season. The company will have a new musical leader, as well: Evan Rogister will take over as principal conductor for a four-year term, through 2021-2022.

Tech Was Supposed To Democratize The Playing Field. So What Happened?

Ironically, the digital revolution was supposed to be an equalizer. The early boosters of the Internet sprang from the counterculture of the 1960s and the New Communalist movement. Some of them, like Stewart Brand, hoped to spread the sensibilities of hippie communes throughout the wilderness of the web. Others saw the internet more broadly as an opportunity to build a society that amended the failures of the physical world. But in the last few years, the most successful tech companies have built a new economy that often accentuates the worst parts of the old world they were bent on replacing.