When the original populist model for Fall For Dance was launched by New York City Center in 2004, there were indeed whispered concerns about whether the rock-bottom ticket price might undermine less well-funded presenters by engendering false expectations. The whispers soon evaporated. Fall For Dance, in both its New York and Toronto iteration, has always been clearly promoted as an event designed to whet an appetite among new, often younger audiences for the full spectrum of dance.