Why We Need Theatre That Hurts, That’s Unpleasant, That’s Uncomfortable

“I don’t fault my friend for fleeing the theatre. This is art that hurts, though, to me, the pain seems entirely appropriate, even welcome. It’s not art of the cloying variety; it doesn’t depict pain that is pity-seeking, or that aims to emotionally hijack an audience on a ride through some dreary personal catharsis.” – The New Yorker

The Disney Princess Body Proportion Issue

“Disney princesses have extremely small waist-to-hip ratios that are nearly impossible to achieve naturally,” write anthropologist Toe Aung of Pennsylvania State University and independent researcher Leah Williams. They argue that such characters “might heighten or reinforce our preference for lower waist-to-hip ratios, and the perception that physically attractive individuals with lower waist-to-hip ratios possess morally favorable qualities.” – Pacific Standard

The End Of Authors? Hardly!

“The dictionary meanings of words are only potentially meaningful until they are actually employed in a context defined by the relation between author and audience. So how did it happen that professors of literature came to renounce authors and their intentions in favor of a way of thinking — or at least a way of talking — that is without historical precedent, has scant philosophical support, and is to most ordinary readers not only counterintuitive but practically incomprehensible?” – Los Angeles Review of Books