Author: Douglas McLennan

Are We In A Post-Truth Era? That’s An Absurd And Ahistorical Suggestion

The history of ideas, in fact, suggests the opposite… The assumption that the last 50 years or so have marked some unprecedented break with a previous age of truth reflects both an inattention to history and an attitude that might be labeled “pessimistic narcissism,” since it yet again focuses attention on the generation that came of age in the 1960s and ’70s. — The Nation

So The Artist Has Misbehaved. Do S/He And The Work Now Have To Disappear?

Lionel Shriver: “For reasons that escape me, artists’ misbehavior now contaminates the fruits of their labors, like the sins of the father being visited upon the sons. So it’s not enough to punish transgressors merely by cutting off the source of their livelihoods, turning them into social outcasts, and truncating their professional futures. You have to destroy their pasts. Having discovered the worst about your fallen idols, you’re duty-­bound to demolish the best about them as well.” – Harper’s

Hollywood Needs Saving. This Year’s Sundance Has Some Ideas About That

In 2019, Sundance is arguably more mainstream than ever. Many options at the festival this year are the kinds of projects major studios used to make all of the time—crowd-pleasing comedies, true-story adaptations, and teen romances. With Hollywood now consumed by brand management, major franchises, and mega-budgeted blockbusters, independent producers have become the caretakers of the midsize movie. – The Atlantic

How Indie Films Went Mainstream

What was new here was that formerly fringe filmmakers were now getting big crossover deals and gushy reviews, redefining indie cinema in the public consciousness. This began a snowball effect with other newer and younger would-be writers and directors. Sundance and Cannes 1989 were the first major “Yes We Can!” moments for those who had had studio and network gates slammed in their faces in the past or who’d never had the confidence or connections to go that far in the first place. – The American Conservative

An Argument: Why Cultural Appropriation Is A Good Idea

Graham Daseler: “The good news is that cultural appropriation is here to stay, no matter how many angry Twitter mobs come to kill it. Critics of the practice can’t even state their grievances without stealing the artifacts of at least half a dozen cultures. The expression itself is a prime example. The word “culture” comes to us by way of French, while “appropriate,” meaning “to take,” was plundered from Latin by Middle English. This, if nothing else, demonstrates how futile it is to try to stop the tsunami of culture or to build fences around it. There is nothing more human—or, one might equally argue, humane—than the desire to copy, emulate, and learn from people who are different from ourselves. Imitation is the sincerest form of flattery.” – The American Conservative

Chicago Journalist Jim DeRogaitis Tried For Years To Get The World To Listen About R Kelly. Why Was He Ignored?

Mr. DeRogatis veers from expletive-laden indignation to choked-back tears when describing the effects of Mr. Kelly’s alleged behavior with what he estimates to be at least 48 women. But he has a special frustration with the rest of the news media, which, he says, failed to follow The Sun-Times’s investigative lead, and for years made light of the charges or ignored them altogether. – The New York Times