Immersive Paris Light Show Based On Klimt Paintings Is A Hit

The Atelier des Lumières, a 2,000 sq. m former foundry in the 11th arrondissement, was launched last spring with a 30-minute immersive audiovisual experience of Gustav Klimt’s paintings, featuring mural projections of the images set to music by Wagner, Strauss and Beethoven. With full-price tickets at €14.50, it attracted more than 1.2 million visitors from 13 April 2018 to 6 January 2019. – The Art Newspaper

Last Critic Standing – Anyone Left In Boston?

“Now that I’ve expanded beyond the business of writing about people with tattoos and tinnitus in a daily paper, I look around and see there’s almost nothing left of that business. Dwindling print and emerging web magazines cover the music scene comprehensively. Thanks to Rolling Stone, Pitchfork, and Boston’s own Vanyaland, we’ll always know what Springsteen and Amanda Palmer are up to–and we’ll get smart, forceful opinions on their albums and performances. But music coverage at papers might be dead long before print journalism. Okay, not “long before”: Print seems to be on borrowed time.” – Fast Company

Canadian Comedians Fear Collapse As Canadian Comedy Channel Shifts Focus

The blowback has been brewing online among comedians, many of whom rely heavily on the royalties and exposure provided by the station to make ends meet, says the Canadian Association of Stand-Up Comedians. “For some people, this is their primary source of income,” said Sandra Battaglini, a Toronto comic and head of the two-year-old association. “It’s devastating for people, because these changes have already started happening, and people have stopped being played.” – CBC

Probability Theory Ain’t So Simple

We can’t resolve disagreements about how much the information we possess supports a hypothesis just by gathering more information. Instead, we can make progress only by way of philosophical reflection on the space of possibilities, the information we have, and how strongly it supports some possibilities over others. – Aeon

Is The Strand Bookstore A City Landmark?

Since last summer, Wyden has been locked in a battle with local officials who want to name the Strand’s eleven-story building, which Wyden’s family owns, a city landmark. They argue that, in addition to its literary significance, the 1902 building—designed by William H. Birkmire, a pioneer of early steel-frame high-rises—represents “a particularly robust expression of the Renaissance Revival style.” Wyden disagrees. “It’s not the Taj Mahal,” she said. “It’s a warehouse.” – The New Yorker