Author: Douglas McLennan

When Shakespeare Stands Up To Sing

Giuseppe Verdi’s last two operas, the Shakespearean diptych of Otello and Falstaff, together constitute my favorite case study in what happens when a play is made to stand up and sing. Both the source material and the musical adaptations are works of singular beauty and power. To study these operas alongside their sources is to see what is gained and what is lost, what remains intact and what is transformed, when a complex human drama is adapted from speech into song. – New York Review of Books

Vijay Iyer: Artist As Ally Of Adjacent Cultures

“This can’t just be about me sounding cool or looking awesome. It has to be in service of something larger. You want to actually open a conversation and activate people’s imaginations, and allow them to imagine a different world than the one we’re in. And that’s the kind of work that an artist can do, because we’re not there to answer questions exactly. We’re there to stir something up, and also to offer an alternative to the reality that we’re inhabiting.” – Boston Review

Elena Ferrante’s Literary Success Has Changed The Role Of Women Writers In Italy

Her ascent, and the rediscovery of some of the last century’s great Italian female writers, has encouraged a new wave of women and shaken the country’s literary establishment. Women writers here are winning prestigious prizes, getting translated and selling copies. Their achievements have set off a wider debate in Italy about what constitutes literature in a country where self-referential virtuosity is often valued over storytelling, emotional resonance and issues like sexism or gender roles. – The New York Times

Ailey’s First Resident Choreographer Talks Disruption

Ailey formed his company, in part, to give people of color a place to dance, Jamar Roberts said. It was also a place for him to to tell their stories. Mr. Roberts wants to continue that, but times have changed. “Are we just saying, ‘Yay, we have a place to dance’ and is that a responsible conversation?” he said. “Is that relevant considering all that’s still going on? I feel wrong for asking these questions. I have a problem when I feel like I’m being disruptive.” – The New York Times

La Scala Gala Opens With 15 Minutes Of Applause For Italy’s President

For the second year, the performance opened with long applause for Italy’s president, Sergio Mattarella, sitting in the royal box with four government ministers. As last year, the Italian government is struggling, and the long applause was seen as a show of support for Italian institutions, which Mattarella represents in a non-partisan role. – Washington Post (AP)