“There are more resonances between programming and poetry than you might think. Computer science is an art form of words and punctuation, thoughtfully placed and goal-oriented, even if not necessarily deployed to evoke surprise or longing. Laid out on a page, every program uses indentations, stanzas, and a distinctive visual hierarchy to convey meaning. In the best cases, a close-reader of code will be rewarded with a sense of awe for the way ideas have been captured in words.” – The New Yorker
Author: Douglas McLennan
How The Newton Brothers Got To Be Masters Of Horror Music
When they started collaborating in 2011, they didn’t plan on their composing careers revolving around the stuff of nightmares. And the work, they’ll freely admit, can exert a psychological toll. “Being in a dark room staring at dark imagery for a long time, it does get to you. Sometimes you need to step aside and go watch ‘Finding Nemo’ with your niece.” – The New York Times
Destroy Cultural Sites? History Suggests That’s The Quickest Way To Worldwide Condemnation
When the Taliban destroyed the historic Bamiyan Budha, the international response “was indeed collective, a near-universal eruption of outrage and dismay at the loss. At the United Nations, after the Taliban announced its intent to destroy the statues, representatives of countries from around the world, Muslim and Christian alike, spoke of the Taliban’s intent as barbaric, and condemned the threatened vandalism. After the deed was done, and the ancient statues were reduced to rubble, the event defined the Taliban as an outlaw regime, uncivilized and evil.” – Washington Post
Writing To Learn Versus Writing To Prove
Writing to learn, as I am imagining it, is a divergent social practice fueled by a lovely cocktail of curiosity, imagination, experience, and ignorance. For my purposes, there are two kinds of ignorance that most matter. The first kind of ignorance can be characterized as a refusal to learn. When reason, experience, scientific research, rigorous theory, and historical knowledge are not enough to educate a person to the wrongness or limitations of her ideas then this is a refusal to learn; it is a form of ignorance dependent on willful power, tribalism, and arrogance. The second kind of ignorance, by contrast, describes a state of “not knowing.” – 3 Quarks Daily
Pentagon Contradicts Trump: We Won’t Attack Cultural Sites
Defense secretary Mark Esper acknowledged that striking cultural sites with no military value would be a war crime, putting him at odds with the president, who insisted such places would be legitimate targets. Mr. Trump’s threats generated condemnation at home and abroad while deeply discomfiting American military leaders who have made a career of upholding the laws of war. – The New York Times
US State Department Details Disinformation Methods
“The messages conveyed through disinformation range from biased half-truths to conspiracy theories to outright lies. The intent is to manipulate popular opinion to sway policy or inhibit action by creating division and blurring the truth among the target population.Unfortunately, the most useful emotions to create such conditions – uncertainty, fear, and anger – are the very characteristics that increase the likelihood a message will go viral. Even when disinformation first appears on fringe sites outside of the mainstream media, mass coordinated action that takes advantage of platform business models reliant upon clicks and views helps ensure greater audience penetration.” – Weapons of Mass Distraction (US Department of State)
The End Of Public Opinion?
If disinformation in 2016 was characterized by Macedonian spammers pushing pro-Trump fake news and Russian trolls running rampant on platforms, 2020 is shaping up to be the year communications pros for hire provide sophisticated online propaganda operations to anyone willing to pay. Around the globe, politicians, parties, governments, and other clients hire what is known in the industry as “black PR” firms to spread lies and manipulate online discourse. – BuzzFeedNews
By The Numbers: What 2019 Looked Like In Classical Music
The site BachTrack tracks concerts internationally: “In 2019, we listed nearly 35,000 performances of concerts, opera and dance – more than ever before.” – BachTrack
Does Freezing Dance Works In Their Original Form Doom Them?
It’s true that dance history is particularly hard to preserve, and the desire to stay true to a choreographer’s original intention when restaging their work is a valid one. But treating these works like museum pieces can backfire. In the effort to stay painstakingly authentic to an original artist’s work, are we missing some of the spark that made it so exciting when it premiered, and losing the element that made it a classic in the first place? Are we preventing these works from resonating with new audiences? – Dance Magazine
All Songs Are The Product Of Other Songs (Cue The Copyright Trolls)
The idea that this might be actionable is the new twist. Every song benefits from what preceded it, whether it’s a melodic idea, a lyrical motif, a sung rhythm, a drum texture. A forensic analysis of any song would find all sorts of pre-existing DNA. A copyright troll exploits that, turning inevitable influence into ungenerous and often highly frivolous litigation. – The New York Times