We are now in the mature stage of a book-to-film boom that is quietly transforming how Americans read and tell stories—and not for the better. The power of this force is hard to quantify because intellectual property is now being bought in Hollywood in such unprecedented volume and diversity of source material. Almost all written works that achieve prominence today (and many more that don’t) will be optioned, and increasingly it is becoming rare for film and television projects to move forward without intellectual property attached. – The Baffler
Author: Douglas McLennan
Adversarial Argument Might Not Serve Philosophical Debate
The lack of progress in adversarial philosophical exchange might rest on a simple but problematic division of labour: in professional settings such as talks, seminars and papers, we standardly criticise others’, rather than our own, views. At the same time, we clearly risk our reputation much more when proposing an idea rather than criticising it. This systematically disadvantages proponents of (new) ideas. – Aeon
San Francisco Ballet’s Longest-Serving Prima Begins Her 25th Season
Yuan Yuan Tan wasn’t even intending to join the company back in 1995, but no principal dancer in the history of the company has lasted as long. – San Francisco Chronicle
Why We’re Fascinated By How-To Videos
What are people looking to do? The most popular searches, by one analysis, range from the achingly prosaic to the exceedingly specific—from “how to kiss” to “how to make a rainbow-loom starburst bracelet.” You can learn how to boil water, field strip an AR-15 rifle, or fly a 747. But stories abound of people—usually kids—achieving impressive proficiency in everything from opera singing to dubstep dancing by simply copying what they have seen in YouTube videos. YouTube pedagogy has swept through—and virtually helped create—fields like competitive cubing (Rubik’s), where solve times have plummeted, aided largely by the transmission of techniques via YouTube. – Nautilus
A Conservative Director Takes Over A Leading Polish Contemporary Art Museum And Aims To Change Its Politics
Artists are expected to make work about fighting climate change and fascism, or promoting gay rights, Piotr Bernatowicz says. “Artists who do not adopt this ideology are marginalized,” he said. Bernatowicz wants to change that and promote artists who have other views: conservative, patriotic, pro-family. His plans are transforming the museum into the latest battleground in Poland’s culture wars, which pit liberals against the governing populist Law and Justice Party, as well as other conservative groups. – The New York Times
Is The Future Of The Arts To Be Seen In The Middle East?
By being thrust forward in time at warp speed over the last few decades — fueled by seriously cranked-up air-conditioning and the bountiful oil production from beneath their deserts that began ramping up in the 1950s — these traffic- and heat-fueled metropolises have the space, desire and revenue to help create the new frontier for arts and culture. – The New York Times
After 34 Years, Ballet Memphis Founder Dorothy Gunther Pugh Will Retire
Pugh founded Ballet Memphis in 1986 with two dancers and a $75,000 budget. The organization grew over the years and now has a company of 21 dancers and a four-million-dollar budget. It also performs a full season in Memphis and tours nationally and internationally. – The Commercial Appeal
Are We Losing Our Ability To Listen?
None of us are good listeners all the time. It’s human nature to get distracted by what’s going on in your own head. Listening takes effort. Like reading, you might choose to go over some things carefully while skimming others, depending on the situation. But the ability to listen carefully, like the ability to read carefully, degrades if you don’t do it often enough. – LitHub
How Science Fiction Is Changing How It Thinks About Environmental Change
At least from small-press publishers, we’re getting more work that looks at, not so much how do we survive the apocalypse as how do we live with nature? How do we live in this world? – Washington Post
Reconsidering The Big Bang Theory
Both the retrospective and the prospective interpretations of the Hubble Constant have stoked ongoing controversy in the 90 years since Edwin Powell Hubble published the first definitive evidence of an expanding universe in 1929. Recently, the controversy has taken on yet another guise, as increasingly precise techniques for measuring the expansion rate have begun to yield distinctly different predictions. The discrepancy has cosmologists wondering whether they are missing important elements in their models of how the Universe evolved from the Big Bang to today. – Aeon
