Why Do We Change Our Minds After Making Decisions? Brain Scientists Investigate:

“Both sets of studies confirm the importance of evidence accumulated after a decision has been made, but diverge on the source of this evidence. The Cambridge group suggests that an incoming stream of evidence is continually accumulated both before and after a choice has been made. By contrast, the Trinity College group suggests that top-down signals – information that feeds back to influence earlier stages of processing – provide an additional input to enable changes of mind.”

Report: There’s A Big Shift Happening In Where UK Arts Orgs Are Getting Their Funding

“Donations increased at 316 NPOs, adding £13.2m to their revenues, but a further 253 saw the value of their donations fall by a total of £12.3m compared with the previous year. Loss of income from trusts and foundations affected 231 organisations, where revenues from this source fell by £15.7m, while 311 benefited from a growth in this income stream, worth £13.5m.”

A Week Post-Pence, “Hamilton” Sets New Record For Broadway Box Office

The show grossed $3.3 million in the week. “It is not clear how many seats “Hamilton” sold for a $998 box office price, but the show’s high average paid admission last week — $303, which is also a Broadway record — suggests that a substantial number of seats were sold for a premium ( these are the official box office prices — many people pay more buying tickets from resellers).”

California Cities Consider A “Netflix Tax” For Streaming Media

“Public officials have argued that taxation rules need to be revised to account for changing technologies. It is unfair, some say, that people who get video through cable television are taxed while those who have shifted over to internet streaming services are not. One question officials would need to resolve is where to stop, analysts say. If streaming video is taxable, then what about music, podcasts or video games?”

Twitter Has Become A Playground For Poets

“Amid the trolls and politicians blasting out 140-character broadsides, poets and their readers have embraced Twitter as a vehicle for higher language. The premium Twitter places on brevity and emotional honesty is uniquely well-suited for an artform that so prizes not just candor and exhortation, but verbal economy.”