Sharon’s presence elevates MOT immediately to international relevance in the opera world and brings to Detroit the kind of innovative artistic leader unique among the city’s cultural institutions. His hiring is a bold but risky choice for a company with a largely conservative artistic profile that has historically lived on razor-thin financial margins and struggled to forge a post-DiChiera identity. – Detroit Free Press
Month: September 2020
Burning Knowledge – It’s Happened Before. In The Digital Age, Even More A Threat
Ovenden notes that, in 2019, 18.1 million text messages were sent every minute, as well as 87,500 tweets. Wikipedia has five to six thousand hits per second. A California-based digital service, the Wayback Machine, has archived 441 billion websites. “Archiving the datasets created by the big tech companies, such as the advertisements on Facebook, the posts on Twitter, or the ‘invisible’ user data harvested by the adtech companies is one of the major challenges facing the institutions charged with the preservation of knowledge.” – Literary Review
‘She Has Developed A Completely New Video Language That Warms This Cool Medium Up’ — On Pipilotti Rist
“She has done more to expand the video medium than any artist since the Korean-born visionary Nam June Paik. Rist once wrote that she wanted her video work to be like women’s handbags, with ‘room in them for everything: painting, technology, language, music, lousy flowing pictures, poetry, commotion, premonitions of death, sex, and friendliness.’ If Paik is the founding father of video as an art form, Rist is the disciple who has done the most to bring it into the mainstream of contemporary art.” – The New Yorker
Appreciations of reopening
Celebrations and stories about experiencing reopening of arts organizations are being shared, and they are joyous and poignant. Here are four of my favorites. – Hannah Grannemann
K-Pop Supergroup Tops Global Billboard Charts, Suggests Different Direction For Pop Music
The song topped Spotify’s Global Top 50 chart and rose to number one on the iTunes charts in over 100 countries. It also set a YouTube record for the most views in 24 hours. BTS’s success, particularly on the Billboard Hot 100 recently, highlights the need to re-examine how we define pop music within the global music industry. – The Conversation
At 84, David Gordon Learns To Choreograph For, And Via, The Internet
“An Obie Award-winning director and founding member of the 1960s collective Judson Dance Theater, [he] may not grasp the ins and outs of TikTok, but it seems as though he’s been preparing for digital dance … his entire career.” Gia Kourlas talks with Gordon about The Philadelphia Matter — 1972/2020, a video collage, commissioned for this year’s virtual Philly Fringe festival, of 30-odd Philadelphia dancers performing various segments from three of his works from the 1970s. – The New York Times
Comic-Con Went Virtual This Year. Critics Said It Flopped. Fans Weren’t So Condemning
Comic-Con@Home inevitably drew comparisons to the in-real-life event, but some critics promptly branded it a failure — perhaps most prominently in Variety, the entertainment industry trade magazine. But calling Comic-Con@Home a flop for not having enough exclusive movie reveals or failing to produce enough social media buzz assumes too much. – The Conversation
A New Yorker Writer Watches Herself And Her Mother Get Turned Into Chinese Propaganda Grotesques
Jiayang Fan: “I find a story about my mother and me in the Global Times, a state-controlled Chinese newspaper with twenty-eight million followers on Weibo. It has been picked up by the country’s most popular news aggregator and then energetically disseminated on various platforms. The more I read, the more fascinated I become by the creation of this alter ego. I am watching a portrait of myself being painted, minute by minute, anonymous hands contributing daubs and strokes, the more lurid the better.” – The New Yorker
When Our Big Problems Are So Obvious, Who Needs Critiques?
In the midst of present dangers—environmental, humanitarian, and political crises, and now (since the book’s publication) pandemic and economic disaster, and the onset of a sweeping antiracist movement—critique can seem to be a luxury.1 Problems like these can appear so obvious as to require little further reflection. They give contemporary life to Marx’s exhortation not to interpret the world but to change it. What, then, is the purpose of critique in a moment like this? – Public Books
How Theatre Schools Are Teaching Set, Lighting, And Costume Design During The Pandemic
As one design-and-production professor puts it, “One thing we’ve learned is there’s a lot of technology that we haven’t utilized because we’ve had the luxury of being together in a room.” Says another, “It’s given us the headspace to shift our daily routine, which in turn I think is going to really benefit and shift the student experience quite a bit.” – American Theatre