Accounts Of ‘Horrifying’ Sexual Abuse At Curtis Institute Confirmed By Investigation

“A months-long investigation by the law firm Cozen O’Connor into ‘horrifying accounts of rape and repeated sexual abuse’ from violinist Lara St. John while she was a student at the Curtis Institute of Music has found her claims to be credible. A report by the firm detailing her experience, as well as separate claims of abuse by about two dozen other students over a period of decades, was unanimously accepted Tuesday by the Curtis board,” which unreservedly apologized to St. John and thanked both her and the newspaper reporters who published her account. – The Philadelphia Inquirer

100 Dancers To Perform In Royal Ballet’s Post-Lockdown Comeback

“The company has revealed ambitious details of its ‘comeback’ after a seven-month break from full performances on the Covent Garden stage. The plan is for a celebration performance with 100 dancers and a full orchestra on 9 October, livestreamed around the world. … And while it will be socially distanced, there will be dance duets thanks to couples in bubbles.” – The Guardian

As Coronavirus Stalks Its Ranks, Bolshoi Theater Sings And Dances On

“Plans were announced over summer for something approaching a full season of opera and ballet across its three stages, and on 6 September, the theatre started the season with an all-star cast performing Verdi’s Don Carlo” — which was canceled after two performances because two of those stars contracted COVID. “‘Said the Bolshoi’s general director, Vladimir Urin, ‘Unfortunately, in the current situation, it can become part of our everyday lives that at short notice we can no longer put things on.’ He said the theatre was working to ensure there were always understudies available to avoid cancellations happening too often.” – The Guardian

Lessons For The Arts From The NBA’s “Bubble” Season

The achievements of the enterprise became evident as the playoff games got underway. The bubble games blended theatre and sports to create a hybrid performance space that offered a great “live” experience while protecting performers and audiences. Curtains and video screens masked empty seats in the auditorium. Digital logos and ads, lighting effects on the court, and amplified soundtracks with music, sound effects, and fan noises mimicked the feel of live games both for the players and for those watching at home. – Ludwig Van

The Benefits Of Reading Aloud

“A growing body of research suggests that we may be missing out by reading only with the voices inside our minds. The ancient art of reading aloud has a number of benefits for adults, from helping improve our memories and understand complex texts, to strengthening emotional bonds between people. And far from being a rare or bygone activity, it is still surprisingly common in modern life.” – BBC

San Francisco Symphony, Opera Musicians Sign New, Reduced Contracts

“We voted to accept devastating changes to our existing contract,” stated a press release issued by the musicians. “Had we rejected these cuts — including 50% of our weekly salary for the fall season and deep but graduated cuts for the ensuing two years — we would immediately have been without any income or the guarantee of health coverage.” – San Francisco Examiner

Online Theatre Has Become Very Creative. But Can A Model To Support It Evolve?

The best of them have come in the shape of theatrical activism, especially amid the Black Lives Matter movement, made cheaply and with a speed that a live theatrical production could never match. These have included a YouTube series about racism experienced by British East Asians as a result of Covid-19, the Bush theatre’s The Protest after the killing of George Floyd, and Roy Williams’s 846, all of which combined the arts, politics and activism. There has also been the Almeida’s Shifting Tides series, which focused on climate activism in audio plays made by their young actors. – The Guardian