“I think of the choreographic practice as the embodied movement of ideas through space and time, a definition that holds equally well if you’re making dances for stages (which we do frequently) or if you’re facilitating a difficult meeting. We’re superattuned to how folks perform in organizations, and I mean “perform” on all registers. How folks speak, who interrupts whom, that nobody seems to like sitting next to Ted – these are all important data points for us.”