Top Posts From AJBlogs 07.12.16

Responding to Pain
Communities are hurting. What is your arts organization doing in response? The answer to this question is a powerful indicator (forgive me: “metric”) of the depth and quality of institutional commitment to and capacity for engagement. … read more
AJBlog: Engaging Matters Published 2016-07-12

Shiner Whiner: Warhol Museum’s Director Joins the Flight from Museum to Market
Should museum directors and curators parlay their nonprofit contacts into for-profit pursuits? … read more
AJBlog: CultureGrrl Published 2016-07-12

Other Places: Bill Crow on Dave McKenna
Bassist Bill Crow’s column “The Band Room” is an event New York musicians look forward to each month. … In the current issue, he remembers a pianist whose artistic scope, adaptability, swing and idiosyncratic personality made him a favorite of a wide variety of musicians and listeners. … read more
AJBlog: RiffTides Published 2016-07-12

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How Pokemon Go Took Over The World In A Week (And What It Means)

“If Pokémon Go does represent a sea change in augmented reality, then it’s one that’s going to force us to rethink our approach to designed spaces, public and private. So many of the places people gather center on communal tragedy or reverence: funerals, war memorials, religion. What do you do when someone whips out their phone to catch a Geodude at the Holocaust Memorial? Or, as is apparently already happening, Auschwitz? Games, with the weight they bear—of play, of fun—might have once seemed inappropriate for those places. But now those places are squares on the game grid.”

We Assume Meritocracy Is The Proper Order Of The World (But What If It’s Not?)

“The basic idea—that we should rank candidates for power according to some desirable quality, then pick the best of them—seems too obvious to have needed inventing, but invented it was, and (at least in the West) not so long ago. If we go back to the occasion of its first appearance in the English-speaking world, we will find a group of men who opposed it, not just because they did not think it would work in practice, but because they disagreed with it in principle.”

Inside Lin-Manuel Miranda’s Final ‘Hamilton’

“In the ticketholders line were the people who had gone to extremes or paid thousands of dollars just to see the production that night. One attendee said she’d paid $3,500 for the chance to catch the show a second time before the original cast left, while others in the line had camped out overnight for cancellations. Here and there were the lucky winners of the day’s ticket lottery. “I’m the unicorn!” one of them declared happily.”