Open Submission Makes For Fabulous Art Shows In London

“When I first visited in the 1970s, it seemed old-fashioned; among today’s ubiquitous white cube displays and curator-led, thematic shows, the abundance and randomness look radical. What museum curator now would dare present, say, as artist Alison Wilding has in the sculpture galleries, some hundred works assembled as if they had just fallen off a lorry into a storeroom?”

A Successful DIY Touring Career For Composer/Cellist Zoë Keating

Keating: “You have to give yourself permission to play your own music. It doesn’t seem valid somehow; it doesn’t seem like real music. It’s like, ‘Well, I’m just playing. I’m making up this stuff.’ And I had a really long period of that, of feeling like there were all these different buckets. There was the music that I would play that was classical–the stuff that I was learning, or that I was being judged on, or graded for. Then there was music that I listened to, which was mostly popular music, that I would sometimes try and work out on the cello. And then there was the music that I would improvise or that was just my own. And they were all very separate.”

Sound Dude For Shakespeare (And Everybody Else, Too)

“For all his scavenger skills,[Todd] Barton hopes he doesn’t distract audiences. ‘I don’t want you going out humming tunes, because then I’ve brought too much attention to myself,’ he says. ‘I’m vodka. I enhance whatever you put with me. If you put lemons in vodka you get essence of lemon. If you put a play in me, I enhance the story, propel the plot.'”

Should Web TV Be A Farm League For Cable?

“I really think the networks would be smart to start using web television as a farm system. A season of web television usually adds up to about the length of a pilot. If a motivated web audience finds a show and proves willing to keep coming back for the bits and the pieces of a pilot over a period of time, that might be a good indicator that a core audience exists for a show that a network can build on…”