“It puts you close to the singers, as well. But now you feel you are on the stage because there is a depth of field behind them. That’s something that most directors strive for with sets anyway, manipulating scale and viewpoints.”
“It puts you close to the singers, as well. But now you feel you are on the stage because there is a depth of field behind them. That’s something that most directors strive for with sets anyway, manipulating scale and viewpoints.”