“Given the nature of this top-down quest to make a Broadway-style musical, many works were overcapitalised and overblown before they had a first showing. Works such as Petrov and Paris (one of Jon English’s dogged projects) were dead on arrival.”
“Given the nature of this top-down quest to make a Broadway-style musical, many works were overcapitalised and overblown before they had a first showing. Works such as Petrov and Paris (one of Jon English’s dogged projects) were dead on arrival.”