“It was clear that Dash Snow, through his wild life as much as the makeshift art he made from it, was viewed by both the coterie of cool young New Yorkers that knew him and the young wannabees who only knew of him, as a contemporary urban outlaw, a renegade, a self-styled outsider. At a cultural moment when those terms have all but lost their currency, Snow insisted on their continued importance, drawing on an “outsider” lineage that harked back to punk, the Beats, and beyond.”