“Mostly the exhibition just looks expensive. Really, really expensive. In deciding what to exhibit, art museums everywhere now strongly favor wealthy collectors over artists and art professionals, and slashed government spending at every level (except defense) keeps contemporary cultural institutions hostage to private interests. Ours is an era of supply-side aesthetics, trickling down on the public. BCAM’s loan-show debut is emblematic of the economic elitism humming loudly this presidential election year.”