The Art Of Great Jazz

“Gone are the days when we could search in jazz dealers for those sumptuous cardboard squares that always seemed to promise so much, even if that promise was sometimes disappointed when you actually played the contents. The cult of labels has a lot to do with packaging: the yummy colour photographs in the case of Impulse and luxurious folding sleeves, the more austere Bauhaus look of Blue Note. It all comes down to shopping. And that’s something that, with the advent of iPods and downloading, is changing out of recognition.”