Making art accessible to poor and minority audiences is like the weather: everyone in the arts talks about it, but almost no one really does much about it. Part of the problem is the lack of proven methods of engaging low-income communities. The answer, as demonstrated by a successful project in theatre-rich Minneapolis, may be that arts groups will only become palatable to underserved communities when they make a concerted effort to embed themselves in those communities, rather than condescendingly offering an “escape” from the outside.