The uproar over New York Theatre Workshop’s cancellation of “My Name is Rachel Corrie” “shows that New York needs a theater free from the prejudices of its funders and subscribers, one immune to special interests…”
The uproar over New York Theatre Workshop’s cancellation of “My Name is Rachel Corrie” “shows that New York needs a theater free from the prejudices of its funders and subscribers, one immune to special interests…”