American viewpoints are still scarred by the 1990s National Endowment for the Arts grant debacle, when radical art exhibitions and abrasive performance artists came under fire for using government money. That’s one reason American arts organizations would rather do with less than depend on the government. Still, it’s hard to argue with the stimulating, government-subsidized stuff that greeted me at every turn earlier this month in Paris. Is what we’re missing important? Is America stunting its own artistic growth?