“The size, power and precision of Ms. Nilsson’s voice was long considered to be one of the seven wonders of the operatic world, starting in her 1946 Stockholm Royal Opera debut in Der Freischütz and her 1951 Glyndebourne Festival debut in Idomeneo.”
“The size, power and precision of Ms. Nilsson’s voice was long considered to be one of the seven wonders of the operatic world, starting in her 1946 Stockholm Royal Opera debut in Der Freischütz and her 1951 Glyndebourne Festival debut in Idomeneo.”