“After the postmodern multidisciplinary melting pot era, it’s my opinion that the dance world is in need for specializing again: finding new movement techniques, new working ethics, new ways how the art form could communicate to an dance-alienated public who has lost contact with their own bodies. Though both the infrastructure and the financial situation necessary for accomplishing this is within the US unfortunately almost completely absent, the mindset for establishing for such developments is most definitely there. And that’s where it all starts.”