“Aboriginal art generates exponential profit for all those who touch it – even, though perhaps not proportionately, for the people who make it. The rules are now very strict: Aboriginal artists retain all their intellectual and moral rights in the work after it has been rolled up and tucked into a backpack or bolted to the wall of a banking hall, in perpetuity. Amid the frenzied buying and selling, with important Aboriginal art objects changing hands as often as several times a year, there is still a pervasive anxiety that Aboriginal art might be a con.”