Where are the women composers? “For centuries men have dominated the history, theory and politics of music. In addition to history books that glossed over women’s contributions, early music theory distinguished between harmonically weaker ‘feminine’ cadences and strong, resolute ‘masculine’ ones. It’s easy to see why a woman might find this offensive. Music itself is neither masculine nor feminine, Joan Towers argues. It’s either good or it’s bad. ‘Everything in music goes counter to what we think of as feminine or masculine. It just doesn’t apply’.”