“Rushdie as a literary performer suffers, I think, from being not just an author but a cause célèbre and a free-speech martyr, thanks to the fatwa issued by Ayatollah Khomeini in the wake of “The Satanic Verses” (1988), a playful work that precipitated riots in India and Pakistan, and gave American and English publishers and booksellers an early taste of heightened security. The fatwa, which invited any good Muslim to kill Rushdie, was withdrawn in 1998, but a decade of living in hiding deepened this previously gregarious author’s expertise on two subjects: celebrity and human cruelty. His fascination with fame and theatricality, movies and rock music predated the fatwa, and gives his fiction a distracting glitter, like shaken tinsel.”