Land of Wretched Excess

In 1872, the U.S. had begun to establish itself as a world power, and much of the country was edging away from the wild frontier mentality. With the desire for greater global respect came a desire for high culture, something most Americans hadn’t had a lot of time for previously. So when the city of Boston invited a group of European composers to bring their music (and their considerable) reputations to American shores, it was a big deal. A concert hall seating 100,000 was erected, and the star of the show, Johan Strauss, Jr., was treated like royalty as he led an eye-popping 20,000-piece orchestra, assisted by more than 100 assistant conductors. To Strauss, it was a gross excess antithetical to music’s nature. To America, it was only the beginning…