Rupert Christiansen has plowed through Blair Tindall’s supposedly scandalous new book, and is most intrigued with the author’s assessment of the state of the classical music industry. “A glut of young musicians were groomed to enter a profession that was both puffed up and weighed down with its own status and restrictive practices… [But] too much of the recent debate about classical music has focused on the decline in the quantity of performance or the size of audience, compared with the levels achieved in that brief post-war boom. Yet the quality of music-making should also be considered, and surely nobody who heard the Royal Opera’s Die Walküre or John Eliot Gardiner’s Nelson Mass at the Proms last week could come away worrying about a decline in standards.”