“The original Python was a creative force that chewed up whatever medium tried to contain it—a Broadway show in that spirit could only exist off-off-off-Broadway, under an awning somewhere and would probably never find its way to the main stage. As a Python fan, I wanted to love Spamalot, but it wouldn’t let me. It is choreographed, safe Broadway subversion, decked out in gaudy makeup, camping it up for the folks in the balcony. It replaces Python’s subtlety with glitter and shouting. Even when it’s making fun of Broadway, it’s still only Broadway.”