London Symphony At A Crossroads

Clive Gillinson Leaves a successful London Symphony behind. “First among British orchestras, it set up a New York office and a residency at Lincoln Center. Its record label, LSO Live, sells tracks on iTunes. Gillinson slashed concert tickets to a fiver with a view to attracting younger listeners and urged players to get a life outside the orchestra, making chamber music and educational ventures in what he reinvisaged as a ‘portfolio career’. Life in the LSO is more varied than before; around one-third of the players have been attracted from abroad.” And yet there are persistent artistics problems to solve, writes Norman Lebrecht.