“In the long revolt against inherited forms that has by now become the narrative of 20th-century poetry in English, no poet was more flamboyant or more recognizable in his iconoclasm than E.E. Cummings. By erasing the sacred left margin, breaking down words into syllables and letters, employing eccentric punctuation, and indulging in all kinds of print-based shenanigans, Cummings brought into question some of our basic assumptions about poetry, grammar, sign, and language itself, and he also succeeded in giving many a typesetter a headache. That said, determining Cummings’ influence and his present stature in the poetry world calls for a more measured view.”