Today’s art critics have been marginalized. “Ultimately, the critic seems trapped in an inherently reactive and ever-more marginalised position. After all, the function of critics has remained largely static while the art world metastasised, growing too big to allow them any real overview, charging too fast for their publication deadlines and developing a slew of new information channels that bypass critics altogether. Not so long ago, Europeans depended upon travelling critics to relate the latest developments in New York or London. Today, fairs and biennials function as seasonal trend updates, and anyone curious about a faraway show can simply hit the gallery’s website for JPGs and a press release.”