There are problems with the current offering of the Martha Graham Company. But “to criticize certain aspects of its current season is not to dismiss the company’s achievement. It’s proved itself. Now we must hope that as it continues to expand its repertory—not with the specious products of Graham’s later years but with major works like Letter to the World and even Clytemnestra—it will grow even stronger and surer of itself. Major choreographers like Doris Humphrey who didn’t leave behind settled institutions can slip away from us. That mustn’t happen to Martha Graham—and it won’t, if the Martha Graham Dance Company holds its course.”