SuperAgent Herbert Breslin sits down with Norman Lebrecht: “Breslin in his prime would play the media and the music business like a fairground accordionist, simultaneously squeezing and stroking to pump out hullabaloo. He could be tiresomely obscene or irresistibly comic – Puck to Pavarotti’s Bottom – but there never any doubt of his driving passion. He might have made a bigger career in showbiz, but Breslin was devoted heart and soul to vocal beauty, and to Pavarotti as its supreme exponent.”