Charles Saatchi has never exactly been a favorite with critics. The insanely rich collector has been panned for his lack of discriminating taste, excoriated for inflating prices all over the art world, and even criticized for the architecture of his new London gallery. But the myth of Saatchi, who was once viewed as a mysterious but powerful force in art, may have finally come crashing down in the aftermath of the fire which destroyed more than 100 works in his prized collection. The public reaction to the catastrophe was brutal, the loss “celebrated as a hilarious and deserved comeuppance for Saatchi and his bloated, overpraised, overpaid protegés.”