“Since Moby’s Play parlayed the blanket licensing of its track listing to innumerable TV ads into several million in record sales five years ago, it has become almost de rigueur for artists slightly outside the mainstream to let their songs sell Volkswagens and iPods. The stigma against “selling out” has faded considerably as artists from the Dandy Warhols to the Flaming Lips to Bob Dylan have conceded that a paycheque and the extra traffic at the record shop that comes with having your song drilled into people’s heads 14 times a night are preferable to not selling at all.”