It’s impossible to separate Mark Morris’s choreography from music. “His extraordinary dance vocabulary is arguably matched only by his breadth of musical tastes. He began, in a way, in two different dance and musical worlds, simultaneously studying Spanish folk arts (after he saw a Jose Greco concert at age 8) and classical ballet. Thus began an eclecticism so vital to his eventual role as versatile post-modern experimentalist, though he, not surprisingly, rejects labels.”