At a recent music industry conference in Aspen, “the divisiveness and panic in the room were evident” whenever conversation turned to the state of recorded music. The problem seems to be that, while most in the industry recognize that a major sea change in the way the public consumes recorded music is upon them, few are willing to hitch their wagon to a particular horse before knowing what the new industry standard will be. In the meantime, the CD market continues to tank, and the people for whom that particular piece of turf is sacred continue to fight like cornered rats to forestall the digital revolution.